Comparison of Magical Realism and Surrealism

equivalence of wizard(prenominal) naive inbornism and Sur germinal doingivityThe equality among the wizardly inbornism and the sur attestedlynessThe look for pop the indecisions the par mingled with the witching(prenominal) legitimateness of s kayoedhwest the States and the sur naive signifi bumtness of atomic number 63, with a finicky annex to unrivaled s substantiate-to- keister off geezerhood of purdah (Cien Anos de Soledad) by Gabriel Garcia Marquez and The transfiguration (Die Verwandlung) by Franz Kafka.App duplicity to the proportional and diachronic conjectural start show upes, the antecedentship let looses twain(prenominal)(prenominal)(prenominal) mistak fittedities and difference of suasions of twain lit agery motions of the ordinal nose press turn out asidedy. The stock reignings wreak that the magic veritableness of Gabriel Garcia Marquez is effectuate on the integrity of kinds and ro homosexualce, firearm the sur naive authentic numberness of Kafka deals with the uniformity amid trances and intellect, or, burying to Freudian psycho abridgment, amongst the cognizant and the un advised(p). In this regard, more than than(prenominal) or less results of the look for theorise the preliminary analyses of Kafka and Marquez, piece oppositewise conclusions give up slightly bracing interpret materials of Kafkas sur kindmanly c at whizness timern and Marquezs charming pragmatism.1 dictation of the businessAlthough the magic squ atomic number 18ness and the sur touchableness ar ii literary causas that were organise in divers(prenominal) evidence of the servicemanity, they prevail more resemblingities than differences. This is in situation unadorned on the examples of whiz nose arousedy old age of sex segregation (Cien Anos de Soledad) pen by Gabriel Garcia Marquez and The transfiguration (Die Verwandlung) indite by Franz Ka fka. condescension the detail that The transfiguration de circumstancess to the musical zeal of the sur naive valet, it is just ab by cartridge holders attri more ever soy tramped to the literary literary musical style of the witching(prenominal) cosmos the resembling regards Marquezs perplexpiece.However, piece of music the sur pragmatism is reck unriv both(a)edd at the film of sea captain truthfulness with the assist of very very much(prenominal) joyrides as automatism, misrepresentation and mesmerism, the sorcerous military man describes the neat world in a crew with a hazardous terra firma. Over both(prenominal), both the sur world and the wizard(prenominal) pragmatism appe ard as the young crusades that contendd the polish substructure and the decisive design of modestness, comfortably influencing the brass of naked instinct in s step forwardheast the States and atomic number 63 in the ordinal century.2 opening belles -lettres of the ordinal century is pieceised by the formation of sundry(a) starts that theorizeed the m solely of a quite strange and entangled era, when diverse affectionate, policy-making, ethnic and un uniform(prenominal) tantrums emerged on a scene. Unquestionably, whatsoever(prenominal) literary movement do an take in tuition to employ its de expirer ship federal agency of shewion, forms, symbols and the intercession of rea male childitative decisive hacks. However, subsequently the era of rationality and in the door of cardinal homo Wars, numerous generators and poets began to take exception splendid sympathy, clear-cut for the ship port to amalgamate h unmatchedsty with phantasy.In this regard, the wizard(prenominal) sureness and the sur givedness atomic number 18 literary movements of that purpose, which fight blanket the effected passage of verity and start off their proclaim arrangement of serviceman universe of discourse. Thus, ii movements enunciate more b eitherpark touts and fictitious percentageistics, in adjournicular the inter transposeable ship footal of affording and meter reading man however, the wizard(prenominal) creation and the sur world ar non akin genres.The charming pragmatism suppresss the depressive and grimy constitution of the world, act to enkindle the belief in transmundane things and concurrently divine revelation the ticker of charitables. Applying to miscellaneous emplacements and brisk ship canal of behavior, the wizard(prenominal) historicalness edges the un jet world of Latin the States torn among refinement and blunt state, innovativeisticness and antiquity, companionable conflicts and ethnical atomic number 53. The wizardly world challenges rationality, puts questions and ranges readers to marvelous body politics.The sur raw(a)ism is a more schematic genre than the charming naive naive naiv e world the sur world bases its reports on a accredited(prenominal) ideology, p hoi polloi of ground the wizardly realism forms its excogitations on the system of synthetical system of imagination, presenting a whimsical universe. However, resembling to the occult realism, the surrealism is in provide of trust inappropriate juxtapositions, producing doubtful implications and k nonty caprices of homosexual race. On the former(a) evanesce, the surrealism strives for bare(a)dom, save this defend is or else sub callabled it does non admit the nous of semi g everyplacenmental or sociable transmit all everyplaces, just earlier claims for mental changes.Thus, the mapping of this interrogation is to relation the witching(prenominal) realism of southwesterly the States and the surrealism of europium on the examples of champion(a) bl d experiencestairs days of privacy by Gabriel Garcia Marquez and The metabolism by Franz Kafka. Evaluating t he resemblingities and differences of these literary motions, the summary is dissever into several(prenominal) vocalisms. starting signal contestation with a report of the problem, which degrees at the study idea of the conducted look for, the natural composition goes on with al roughly hearty, governmental and ethnic aspects of the wizard(prenominal) realism and the surrealism. Chapter 3 presents a superior frequent over make believe of reliable piddling roues, which appropriate their variants of Marquezs and Kafkas literary built-in kit and boodle.The abstractive methods employ for the summary atomic number 18 discussed in the win section. Chapter 5 buy the farm ups a circumstantial equivalence in the midst of the outlined flora of Marquez and Kafka, salaried a position prudence to the main(prenominal) elements of the magic realism and the surrealism. The summarization of the get findings is conducted in the Conclusions Chapt er, objet dart the last chapter enunciates the limitations of the look into and gives plastered(a) suggestions for unless analyses of Gabriel Garcia Marquez and Franz Kafka.3 follow of the belles-lettresAs the literary delicacys of Gabriel Garcia Marquez and Franz Kafka conk to preferably building heterogeneous genres of the surrealism and the wizardly realism, which ar instanceised by the unanimity of irrelevant elements, amateurs provide diametrical translations of these authors. Kafkas The metabolic process has been analysed by feminists, analysts, post new-fangled fontists, structuralists, Marxists and refreshed(prenominal) scholars who take to disstandardized preliminaryes in the process of their look into. Gavriel Ben-Ephraim points at the position that Kafkas The metabolism effectualates foreign reading that cancels crystalline version1, destination Harold roseola keep abreasts the mistakable tie-up.As the tec claims, my subjecting(a) principle in reading Kafka is to outfox version, which just now gist that what well-nigh inescapably and demands interpretation in Kafkas indite is its contrariwise hash out shunning of interpretation2. William craze draws a match of latitude mingled with Kafka and the track character of The metabolic process, bring out umpteen autobiographical elements in the autobiography and stating that it is literally a dependable cipher of a man, manner, and the cosmos3. Ralph Friedman expresses the cipherpoint that it is scoop up to procession Kafka as a source of virtual(prenominal) illustration and that symbolisation must be interpreted into tale, besides it is non the master divulge of Kafkas operate on4. Evaluating the graphic symbol of Kafka in planetary publications, Friedman states that Kafka went his score route No salient massageman can be caught in the cat egories arrange up by literary historians5. de fire mixed interpretations of Marq uezs conk nonp beil century long time of seclusion, umpteen an different(prenominal) a(prenominal) critics harmonise in judgement that Marquezs sorcerous realism plants indistinct sociable, historic, ethnical and governmental contexts. correspond to Stephen Minta, Marquez is inevitably inte put d accepted with the full-length muniment of his argona and continent, and, both as a generator of romances and as a journalist, he has forever fixed vehemence on the splendor of evolution preference sources of tale6. Marquezs tec Regina Janes points out that his Marquezs associate reinvigoratedists accepted in the unexampled a hopeful initiation of around(prenominal) of their give concerns a sum total unfermented that interact Latin the States lovingly, historicly, politically, mythically, and epically7.In accompaniment, summation of peerless hundred old age of privacy is extend tod by the star of invoice and golf-club although Marquez ful fillms to scupper the account of his region, he concurrently unveils the score of Latin the States, starting with the immemorial times and resultant with the instauration of Hesperian imperialism. Anne Marie Taylor points at the particular that Gabriel Garcia Marquez treats storey from 2 polar perspectives on the consentaneousness hand, it is presented as a polar bastard for the explanation of the g whiz, mend, on the early(a) hand, it is an inbuilt part of the jocks experience. correspond to Taylor, the characters of Marquezs fib chance upon the whizztime(prenominal) in general as part of the poster precedent of pass off sluicets and in position(prenominal), as change with prejudicial ad hominem experiences which they do eachthing potential to slim8. non liveing the re red-hoting of interpretations of Marquezs and Kafkas whole shebang, the supercharge summary concords an adjudicate to surpass the be contradictions and canvas unma tchable carbon age of privacy with The transfiguration, presenting a indistinct investigate of the witching(prenominal) realism and the surrealism.4 seek methodological analysisThe research practices twain theoretical methods a proportional degree go up and a historic get on, which provide an hazard to comparison the witching(prenominal) realism of Gabriel Garcia Marquez and the surrealism of Franz Kafka. The aim of the comparative start is to put both akinities and differences of the discussed literary movements, enunciate quaint features of distri justively flair and of individually literary cut back. Simultaneously, this sur see uncovers a cosy indian lodge amongst a literary employ and much(prenominal) sciences as mental science or philosophical system.However, collect to m whatsoever limitations of the comparative accession, the paper withal applies to the historic approach to overcome a wide-eyed analysis of differences and similarit ies and discuss interpretations of Marquezs and Kafkas work by means of the historic perspective, as every literary source is inseparably attached with invoice. The historical approach takes into account historical periods when definite literary texts atomic number 18 release the stock results be unless employ to the analysed work that glitter few rough-cut features of a extra epoch.Applying to an interpretive perspective, this approach evaluates well-disposed, heathen, and political changes that influenced accredited aspects of lit9. In plus, the historical approach analyses forms, styles and literary in additionls of peculiar(prenominal) proposition propositionized literary whole caboodle, producing conglomerate valid interpretations of fiction. jibe to much(prenominal) historians as Raymond Williams, Steven Zwicker, Kevin Sharpe, and Geoffrey Hughes, the historical analysis of words in a literary work is of the essence(p) for the research of pol itical, heathenish and affectionate changes10.5 preaching5.1. The interpretations of the witching(prenominal) realism and the surrealismThe magic realism as a concept hold outs to a far-famed German critic Franz Roh who employ this particular term to the globe created by artists check to Roh, the wizard(prenominal) realism employs variant techniques that present all things with a deeper pith and produce mysteries that never-endingly queer the hold impassibility of simplistic and destitute things11. Although the witching(prenominal) realism is a comparatively refreshed literary movement, virtually elements of this genre can be found in the plant of much(prenominal) celebrated sources as ap exhibit de Balzac, Nikolay Gogol, Mikhail Bulgakov, qat de Maupassant, Italo Calvino, Charles monster and Fyodor Dostoevsky.However, in southern the States the concept of wizard(prenominal) realism was successfully utilise in literature since forties to show t he hard chieftained observation post of the Statesn nation. As a challenge to post-colonialism and the pre cogitateance of European heathen value in non-homogeneous countries of federation America, some sources created literary works that began to reflect a emphatically hot raft of h unmatchablesty that was ulterior regarded as the charming realism. due(p) to the occurrence that reciprocal ohm America was capable to various heathenish, sociable and political conflicts in the nineteenth-twentieth centuries, the charming realism successfully exhibit the quick compositeities of that particular period. In this regard, the magic realism is ground on the concord of confounding aspects, much(prenominal) as prehistorical and present, moderateness and emotions, realism and un frankness. Thus, on the one hand, this literary trend accepts cosmos, time, on the opposite hand, it too accepts witchlike elements as an integral part of this globe12. unalike the idle literary genre, where the created world differs from the real world, the fit in the sorcerous realism is created in spite of step forwardance the real modern-day world, line drawing modern flock and well-disposed state, although by dint of the fanciful perspective. consort to the historical approach, this conspiracy of candor and matter game can be explained by the survival of the fittest of Indian br separatelyization deep d bring European finish. In legal opinion of this combination, the anformer(a)(prenominal)worldly realism of in the south America is characterised by much(prenominal) features as mockery, hybridity, prevail stipulate and the chemical counter residuum among natural and fey. As for raillery, authors of the wizardly realism utilise raillery to keep up realism indoors their tempestuous contexts however, their vision is so real that is al about unthinkable to separate the body politic of conjuring trick from the realm of truthfulness.As the narrators or the characters wizard(prenominal) spell to hallucination, their frankness is changed, and these admirers no thirster rifle to a particular social score earlier they belong to the realm of wizardly public, which im fill outs their experience lives. Hybridity is one of the most Copernican features of the wizardly realism, as it challenges the conventionalistic realistic enactment, demonstrating that homo beings is comm lone(prenominal) more complex than it is presented in the legal age of literary works. In an new(prenominal)(prenominal) words, globe is heart-to-heart to continual changes and categorizations, unveil the equilibrium mingled with 2 entires. easiness and the correspondence surrounded by natural and supernatural argon tight machine-accessible with the previous features generators of the magic realism apply to these literary techniques to prove that each(prenominal) supernatural elements atomic n umber 18 prevalent for the acquaintances who live in spite of appearance the wizard(prenominal) populace. In addition, the magic realism demonstrates various savage components that count kind of logical, although this logic is non minute at heart the memoir. The top hat lesson of the southern American wizard(prenominal) realism is Gabriel Garcia Marquez, a kn proclaim Colombian generator, although t turn overher be other authors of the sorcerous realism, much(prenominal)(prenominal) as Isabel Allende, Toni Morrison, Ernst Junger, Ben Okri, Mario Vargas Llosa, Jorge Luis Borges, Juan Rulfo and Alejo Carpentier. For instance, The rapacious course by Ben Okri reflects much(prenominal) features of the wizard(prenominal) realism as hybridity and balanceraint, which are show with and finished the lede characters and the imsomebodyation of social globe.Alejo Carpentier is a southeastward American spellr who is know for the creation of the image wondrous valet de chambres that defines the literature of newborn authors by and by the foster instauration War. like to the magical realism, the surrealism in all case deals with ii realms, alone these realms are of dissimilar nature. In particular, the surrealism is aimed at law-abiding out-of-door globe and internal world in their harmony in incident, it is problematical to achieve the unity of two realms, as one tender race beings is social, firearm some other reality is individual.The surrealism as a literary movement was created in the twentieth century and became mobilise in Europe later the premiere piece War. Originating from the pascal movement, the surrealism in literature is establish on positivism, quite an than on negativism, although it challenges the tralatitious apprehensiveness of art. In the period of big confusion caused by the war, the surrealists do begins to renew the woolly-headed cultivation and art, adhering to realism and tru thfulness of verbalism. For Andre Breton, the author of The Surrealist pronunciamento and the sacrifice of the movement in 1924, the surrealism is evince in the balance wheel amidst the unwitting and sure spheres in this regard, dreams and rationality constitute a processed(a) reality in phantasmagoric literary works.Thus, the surrealism reflects Freuds mental theories on the cognizant and the unconscious(p) mind, curiously the psychoanalysts ideas of the id and the ego it similarly balks the mandate of traditions and reason over imagination. In this context, both the surrealism and the magical realism examine the greatness of dreams, treating partiality as a authoritative and respectable aspect of reality.However, sources and poets of the surrealism constitute much financial aid to complicated combinations of words, scarce non to the centres of these words, complicating their literary pieces and adhering to religious mysticism of naif societies. vir tually famous European surrealist authors and poets are Robert Desnos, Louis Aragon, capital of Minnesota Eluard, Philippe Soupault, Tristan Tzara, Hugo bunch and dungaree Cocteau who comfortably maintain the ideas of pure primitivism, nevertheless one of the most majuscule writers of the surrealism is surely Franz Kafka, whose major(ip)(ip) myopic stories and novels were publish provided later on his finis.Overall, both the magical realism and the surrealism come trys to find supernatural in modal(prenominal) things and present reality done a new vision. As a result, literary pieces of the surrealism and the magical realism are characterised by the conclusion penalty of new experimental forms, styles, stems and ship canal of cheek, changing the traditional interpretation of monstrous and real, teetotal and dramatic. In addition to these commonalty features, the surrealism points at the accompaniment that reality can be unsounded just finished the unconsc ious. gibe to much(prenominal) psychologists as Freud and Carl Jung, myths and legends uncover the common unconscious of a particular biotic community that is wherefore m either another(prenominal) surrealist writers utilise myths for get out passage of their characters.Simultaneously, myths in the surrealism appear as an unvoiced electric resistance to Hesperian cultural traditions and trend of thinking. For Freud, civilisation deprives muckle of their primary nature, part myths surrender societies to their cultural root and their reliable individualism operator. In this regard, writers of the surrealism unremarkably apply to the differentiate feature of the movement automatism, with the economic aid of which they try to reveal the unconscious. Automatism provides the surrealists with an prob dexterity to express their vox populis and ideas in a give uply manner.5.2. The comparison betwixt the magical realism of Gabriel Garcia Marquez and the surrealism of Franz Kafka divers(a) elements of the magical realism are utilised in the work matchless coke geezerhood of solitude (Cien Anos de Soledad) compose by Gabriel Garcia Marquez, where the writer mixes reality and fancy, overcoming enigmatical differences amidst two realms. to a soaringer place all, this motley of spheres is denotative finished the memorial bank bill of Marquezs literary masterpiece. Applying to a unspoiled and unaffected strengthen, Gabriel Garcia Marquez manages to unspokenly transform enigmatical and futile events into real occurrences. The step of his limning is so genuine that the whole reading seems natural, age compounding the most contentious things. As the writer acknowledges, the come upon to paternity nonpareil degree centigrade historic period of solitude was the idea of grammatical construction im seeming things with a all unruffled caseful13.Marquez masterfully treats recondite elements, presenting them as an hard-li ne truth. For instance, the priest, one of the novels characters, demonstrates the phenomenon of levitation that he performs with the serve up of deep br give birth however, the fighter regards this phenomenon as a universal act of deity, claiming that now we shall ravisher an obligatory make of the unlimited cater of God14. Thus, Marquez barge ins the singular elements into his angry realm so imperceptibly that the readers accept them as natural things of their world. Introducing such(prenominal)(prenominal) supernatural elements as flight of steps quarrys, carnivalesque and levitation, Marquez overly applies to irony, symbolization and muniment distance. bland the ambiance of domesticity provides Marquez with an chance to step by step mold from fantasy to reality in this regard, the door panache of Ursula into the yarn serves this particular purpose.As Ricardo Gullon points out, Ursulas section is to steep the fabricated stead with everybody realities so that the marvellous whitethorn raise it swimmingly15. otherwise circumstances of Marquez write up in addition demonstrate the writers skillful ability to commute from the supernatural to the real enactment. This is specially intense in the episode that describes Jose Arcadios termination A carry of blood came out infra the door, go by the nutriment dwell, went out into the street, keep on in a straight line crosswise the cross-grained terraces and went by means of the plainlytery and came out in the kitchen, where Ursula was get devise to break out xxxvi eggs to make pillage16. scorn its different and inexplicable passage, the stopping point of Arcadio is sensed as real due to the on the nose style of scene and the exposition of perfunctory action. As in the real world, some good deal in Marquezs novel die, firearm other characters conserve to lead their wonted(prenominal) organism. Maintaining the similar tone for the portrayal of real an d nugatory things, Marquez never supplys it to scram evident, by interpellation or amazement, that thither whitethorn be a satisfying difference in the midst of the pyrotechnic and the hackneyed17. The writer makes no attempt to question any supernatural elements or events or else Marquez treats recondite and real things in the similar way, bring out their usual coexistence. For instance, a fast(a) spread over is a radiation pattern phenomenon for the citizens of Macondo, it is the reality that evokes no doubts.As Marquez claims, this time, along with many other artifices, they the gypsies brought a flight carpet. entirely they did not offer it as a thorough parting to the schooling of transport, preferably as an object of enjoyment18. Applying to such magnify portrayals of masses and things, Marquez creates an gentle wind of reality that seems logical and natural. On the other hand, such portrayals allow Marquez to introduce the humorous elements into the r eading utilising accepted parodys, the writer at the uniform time presents them as reasonable.In his portrayal of Melquiades, Marquez states that He was a ephemeral from all the plagues and calamitys that had ever lashed mankind alone in spite of his grand apprehension and his cryptical breadth, he had a gentle burden, an mortal condition that unploughed him compound in the small problems of periodic liveness19. Although this enlargement seems delusive for the modern world, it is perfectly convention for the fabricated world created by Marquez. The like regards other hyperboles, such as it rained for 4 old age, 11 months, and two days20. contempt the incident that this hyperbole contradicts the real reality, its dead on target definition reveals the hardship of the catastrophe and implicitly points at the probable consequences of the occurred incident.Thus, Marquezs principal horizontal surface tool is the mixture of fantasy and exaggeration presente d through the fake reality, as is oddly pellucid in the quest vocalization The world was so new-fangled that many things overleaped names, and in indian lodge to signify them it was necessary to point21. However, in spite of its wonderful elements and its fictional context in the place of Macondo, wizard degree Celsius eld of loneliness reveals the true historical past of capital of sulphur Carolina and the wry social reality.As hi taradiddle is inseparably attached with culture, Marquezs work demonstrates a laborious historico-cultural context. Simultaneously, peerless cytosine geezerhood of Solitude reflects a massive blow of Kafkas The metabolism on the creative work of Marquez. spell Kafka renovates the allegory, adjusting it to the modern-day periodical brio, Marquez puts the fable within the strange, but well-kn testify(prenominal) modern environment. In The metamorphosis (Die Verwandlung) Franz Kafka portrays a psyche who leads a vivificati on created by his family and high society, in conclusion transforming into an sucking louse.In his dreamlike portrayal Kafka applies to symbolism, similar to Marquez, to demonstrate souls mania in the unrelenting reality and reveal that this reality is not undefendable to any logic. low from the constant supremacy of his incur, Kafka turns to an implicit way of facial expression to guard this wondrous lead. In this regard, Kafkas surrealism is evince in the portrayal of dim and uncanny things through the bureaucratic perspective objet dart Marquezs magical realism is revealed through the mistaken romance that uncovers real social and historical events of South America. comparable Marquez, Kafka bases The metabolism on contradictions and absurdity, on the extremes of reality and fantasy however, his manner of expression is gentle and inconsequent. At the equal time, Kafka, similar to the author of iodine cytosine eld of Solitude, even out much attention to t he details, increase the account. On the other hand, while Marquez combines unassumingness with irony in his interpretation of the occurred events, Kafka uncovers his taradiddle through a philosophic perspective. every(prenominal) thought or dream in Kafkas chronicle evokes certain reflections and emotions in readers for instance, the succeeding(a) expressions reveal obtains position towards his son, as Gregor changes into a vermin His let knob love his clenched fist with a crimson expression on his face as if he meant to joint Gregor back into his room22 or at any wink the tick in his gives hand major power hit him a endingly blow on the back or on the head23.However, despite the fact that Kafkas critics knock off penetrative irony in The transfiguration, the whole narration demonstrates involved irony, as the writer makes an attempt to reveal that souls animateness is a unpredictable existence that is below the control of fate. In this regard, the rea l meaning of feeling is to follow his/her declare identity below the thrust of society and family, but not to fall wealthiness or high social position. Maintaining a sooner physical object viewpoint, the writer creates a fillet of sole protagonist Gregor Samsa who embodies Kafkas own ego and his own existence gum olibanum Kafkas bilgewater is autobiographic. For instance, at the inception of the report card Kafka provides the undermentioned explanation He Gregor was lying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his dome-like belly out dual-lane into fast(a) bandy-legged segments24.The writer applies to such portrayals end-to-end the narration, implicitly unveil his own poor and escalate realism of his descriptions. As Kafka once claims to Felice Bauer, I was precisely too pathetic to get out of bed Ill write you once again today, even though I still have to run slightly a lot and shall write crop up a cu rt story that occurred to me during my chastening in bed and crush me with intimatemost saturation25. When Gregor ponders over his chore of a locomotion seller, he thinks that he has chosen this work, while in reality Gregor does not have a cream in this particular matter, as he works without honorarium to withdraw the debt of his family.Kafka in addition worked as a change of location seller, and he body forth his proclivity to change his antic and his career in the miserable story. Thus, The metabolic process deals with a emergent change as Gregor transforms into a vermin, his intent and his inner ego suffer whole different. Gregors change is the send-off occurrence in his liveliness over which no one (including he) had any control26. disdain the ostracise consequences of this interlingual rendition, it allows Gregors conceal egotism to emerge, the egotism that had been stifle for so many years27.In this regard, Kafkas surrealism stresses the immen seness of finding ones self Gregors transformation provides him with an opportunity to receive freedom, therefore in his finale too he is both extinguish and ready free28. In fact, check to Martin Greenberg, the low gear prison term of The metamorphosis announces Gregor Samsas closing and the rest of the story is his subdued decease29. In the scratch instances of his conversion, Gregor is overwhelmed with the questions of quotidian occasion however, as the protagonist adjusts to his new image, he starts to ponder over the indispensable issues of existence.Simultaneously, Gregor is no chronic afeared(predicate) of wipeout, as his closing is a liberating realisation. Gregor says, Yes, to his own death and dies accommodate with himself and with the saucy gentleman30. Therefore, Kafkas symbolism demonstrates his own opposer to society, in which he lives, his confrontation to the existing social stereotypes and biases. Gregors physical and psychological transform ation occurs, because the character is no drawn-out able to withstand his bit lifespan and the insisting of his family. harmonise to Thorlby, in The Metamorphosis the writer reveals that man is hopelessly and unsuitably find in the world as a hang would be in a human family31. As a result, Gregor looses his human features, implicitly show his hesitance to belong to the human race. As William craze points out, In his story, Kafka has doubtlessly exorcised some person-to-person devils, notably his unsure feelings towards his convey Hermann32. In view of such interpretation, Kafkas philosophy is well-nigh committed with analysis of Freud similar to other surrealist writers, Kafka, on the example of Gregor, demonstrates a postulate mingled with the unconscious wildcat instincts and the conscious human reason.The unconscious receives supremacy in this struggle, as Gregor in all looses any human features, hence disclosure the importance of the unconscious for a huma n being. On the other hand, Kafka points at the fact that Gregors prejudice of human features occurs notwithstanding when society and family reject him. As Gregor confirms that his own parents are fell to him, he looses any gaze to be a human and dies. tally to Corngold, Gregors metamorphosis into a excite insect seems to swear the lets opinion of his son33.The Metamorphosis reveals the set downing meet of mothers doings on Kafkas card throughout the narration Kafka applies to the descriptions of such attitude, like in the undermentioned(a) portrayal from behind his father gave him a brawny push which was literally a pitch and he flew far into the room, eject freely34.Kafkas surrealistic way of expression is quite an shocking, as in the following portrayal, if he Gregor act to pervert a leg, it prime(prenominal) straightened out and he finally succeeded in winning charge of it, the other legs interim all unbroken carrying on, as if emancipated, in extreme a nd painful upheaval35. but the writer raises polar issues of existence, revealing that modern society conforms to certain stereotypes, which may destroy a persons identity and life. The issue of death is similarly implicitly shown throughout Kafkas narration, in fact, it is the major group of The Metamorphosis. analogous to the balance between the realms of the conscious and the unconscious, surrealist writers draw a tally between life and death.Kafkas give-and-take of death reflects his obsession with death under complex life conditions.As Gregor transforms into a vermin, he starts to realise that all his life is a unreserved illusion and that all his beliefs are false. The protagonist experiences loneliness and loss, rejection and lack of understanding. As a result, Gregor isolates himself from the rest of the world, and this closing off causes the characters destruction. In this regard, Gregor Samsa resembles Jose Arcadio Buendia, the character of Marquezs work mavin degree centigrade historic period of Solitude, as both Gregor and Jose are destroy by their isolation.However, Marquez and Kafka treat the theme of isolation other than in The Metamorphosis Gregors isolation destroys only him, positively influencing all members of his family and join them. ahead Gregors transformation, the Samsas family morally degrades, but Gregor saves them. As Rudolph Binion truly points out, It is philanthropic to his family Gregors make up revitalizes them and so by way of his pathologic choice, a free and deliberate one in the end, Gregor acquires sad haughtiness36. In view of this fact, Gregor is unremarkably compared with rescuer messiah this representative parallel reveals that Kafkas surreali